import React from 'react' import PropTypes from 'prop-types' import ButtonIconAndLabel from './ButtonIconAndLabel' import ButtonElement from './ButtonElement' const Button = ({ type, label, icon, onClick, disabled, dataTestId }) => { return ( ) } Button.propTypes = { type: PropTypes.string, label: PropTypes.string, icon: PropTypes.string, onClick: PropTypes.func, disabled: PropTypes.bool, dataTestId: PropTypes.string } Button.defaultProps = { type: 'ghost', label: null, icon: null, onClick: null, disabled: false, dataTestId: null } export default Button Sensing sunrise https://sensingsunrise.com/ Thought provoking pieces on life and the human condition Mon, 24 Aug 2026 11:52:35 +0000 en-US hourly 1 https://sensingsunrise.com/wp-content/uploads/2025/07/cropped-sensingsunriseicon-1-32x32.png Sensing sunrise https://sensingsunrise.com/ 32 32 Rhythms of Purgatory https://sensingsunrise.com/rhythms-of-purgatory Sun, 28 Sep 2025 09:34:16 +0000 https://sensingsunrise.com/?p=568 Rhythms of Purgatory “Dance for us,” her grandchildren yell, just as the woman, elderly and spritely, rises to her feet, a smile lighting up her face. Her eyes survey the congregation sharing her cramped living room, her smile becoming a tease at the corners of her mouth. She can feel the unwavering warmth of three… Continue reading Rhythms of Purgatory

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Rhythms of Purgatory

“Dance for us,” her grandchildren yell, just as the woman, elderly and spritely, rises to her feet, a smile lighting up her face.

Her eyes survey the congregation sharing her cramped living room, her smile becoming a tease at the corners of her mouth. She can feel the unwavering warmth of three generations of her family, their joy spilling over in peals of laughter, the gratitude radiating from their shared fellowship.

A chuckle escapes her lips, as her ears register the sensuous rhythm of the highlife music oozing from an old speaker tucked into a corner of the room.

Amidst a chorus of encouraging cheers, her eyes momentarily sweep across the meagre expanse of the room, before resting on a gallery of framed photos perched on the wall opposite. The photos are a testament to enduring memories: Grandpa, long gone from this world, young and stern-looking in his crisp military uniform. A grainy and mottled black-and-white wedding photo. Children in graduation gowns, their smiles radiant and proud. A frame of a young woman in her twenties, removed from the rest and hanging slightly askew on the wall. The woman in the photo is wearing a dazzling, sequined dress, her hair a rich afro. She is caught in mid-twist, the smile on her face radiant and uninhibited as she regards a circle of admirers staring and clapping, their faces alight with admiration.

“Granny, show us how you did it,” a voice calls from the gaggle, huddled and giggling with anticipation.

The woman starts a slow, gentle sway; her eyes fixed on the photo of the younger version of herself. She bends her head slightly and delicately flutters her hands, as the music arrests all her senses. For an instant, she glances at her grandchildren, sitting cross-legged on a patterned rug, staring up at her, eyes brimming with mirth. She makes a face just as the movement of her body eases into perfect synch with the languid rhythm of the music.

Then, the trumpet in the song soars, and a change instantly comes over her. Her eyes, previously twinkling, lose their lustre. Her gaze becomes fixed, and her body, as if jolted by a lightning bolt, begins a contorted motion, urgent at first, and then frenzied. Her feet, encased in comfortable shoes, start to beat a complex, staccato rhythm, completely at odds with the pace of the music. Her arms lose their grace and start to make a fierce, slicing motion.

She has gone there.

The air is different there – thick with cigarette smoke, a melange of perfume, an acrid hint of sweat and excitement. The music is a living, pulsating thing – strident; a guitar-driven rhythm swirling around the space, rooting her audience in a state of hypnosis while moving through her body and achieving a oneness with it. Her audience is cheering and clapping, their admiration palpable, warming on her skin. She feels supremely beautiful and filled with the indestructibility of youth.

Suddenly, there is a shift. A disturbance in the ambience. An altered intonation in the strum of the guitar? No, it is not from the guitar. It is from outside. It is a sound that does not belong in the realm of music, laughter, and bonhomie. It is the shattering of glass and the thud of a boot on the door, kicking it open. Bottles are crashed to the floor, and a voice, harsh and guttural barks orders indecipherable in the maelstrom of the moment.

The woman’s gaze quickly shifts to her audience. What do they make of all of this? She witnesses their smiles slip before her very eyes. Their faces register confusion, then fear, then a terrifying, collective anger. Their clapping stops, and their admiring cries morph to become jeers and hateful words. A paper cup still wet with beer hits her head, and its contents dribble down her face. A spoon glances off her arm. Plates shatter at her feet.

However, she would not stop dancing. She cannot stop. Her body is moving with a rhythm turbocharged by terror, and her mouth and throat feel parched.

And through it all, another sound rises, superseding the chaos. It is a chorus of anguish, initially faint, before becoming a crescendo that swallows the world. There are scattered cries of pain, men’s urgent shouts, a woman’s thin wail that would not stop. The sound is of a people broken, a community under siege. Its desolation is profound, and its devastation, all-consuming.

 

Abruptly, the woman’s frenetic movements cease and her arms fall to her sides. She is trembling, tears streaking the powdered wrinkles on her face. She stares at her family, and they stare back, frozen by the seismic shock wave of what they just witnessed. Her eyes drift to the floor and she smiles weakly. Then, she lifts her eyes to the photo of the version of herself; young, joyous, and forever trapped in a moment before the world fell apart. She opens her mouth to speak but the words do not come. For how can she explain to her family that the past sometimes visits, bringing with it music rendered in the rhythm of soul-wrenching memories?

 

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Upon Tides of Leaving https://sensingsunrise.com/upon-tides-of-leaving Thu, 24 Jul 2025 08:00:17 +0000 https://sensingsunrise.com/?p=512 ‘Make me a fine boy,’ the young man says, his tone solicitous, expectant.

Then, a cheeky grin creases his face and his eyes twinkle, as he wets an index finger with his tongue and furiously rubs at a smudge on his right cheek.

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Upon Tides of Leaving

‘Make me a fine boy,’ the young man says, his tone solicitous, expectant. 

Then, a cheeky grin creases his face and his eyes twinkle, as he wets an index finger with his tongue and furiously rubs at a smudge on his right cheek.

 He squints into the mirror once more.

 Satisfied, he swivels on the low stool he is sitting on, to face the camera set opposite the mirror.

He muses that the Passports Officer sitting behind the camera looks properly official in her starched brown khaki uniform. A hat is perched jauntily on her head the way his mother would wear hers. She is heavy-set, with a face as open and good-natured as his mother’s. 

‘I will try,’ she responds, her voice deep and mellifluous, patient, just like his mother’s.

The Passports Officer leans forward, hands adjusting the camera while she regards the young man with her hooded eyes. Her lips – downturned at the corners – betray faint amusement. 

He senses she is thinking: I have seen it many times before, this barely contained excitement, this desire to check-out of mother-country, swelled to the point of bursting. 

 Suddenly she straightens in her chair, folds her arms, and plants them firmly on her chest.

Her eyes search out his.

In the instant that the young man’s gaze is arrested by the Passport Officer’s, time sharply slows and his heart accelerates. 

The ticking of a clock suspended precariously above the door grows so loud, he can hear it inside his head and feel it in his heaving chest. The walls of the room seem to fall away and the stark familiarity of all the young man’s years in this world come flooding into the room.

 A voice coming faintly from the foyer suddenly becomes a magnified echo. The voice has the same timbre, the same gusto as his father’s voice. 

‘wen our turn go reach to do our passport sef? Somebody else has jumped the queue, not so?’ It asks.

Then it continues, ‘na wa for dis our kontri. Na so we dey do… man- know- man. This country is dead by our own hands.’

The voice breaks into laughter. It is a long, rumbling, belly laugh, same as would happen whenever his father speaks with self-deprecation, or shares one of his ribald jokes, a hand partially covering his mouth, wicked glint in his eyes.

The voice’s casual self-awareness, its care-free fatalism, finds the young man at his core and connects with him to such an extent that he feels one with the voice. 

The voice seems to meld with the smell of bean cakes and spiced vegetables, same as he saw being eaten by an officer at the front desk when he arrived. It is a heady and hypnotic mix which momentarily whisks the young man back to the predictable mornings and taken-for-granted pleasures, the humbling immediacy of his childhood. 

His eyes sting and he takes a deep breath, letting the air out in spurts to slow the rapid thumping in his chest.

Suddenly, the young man can make out another voice. It is the Passport Officer’s voice, a gentle insistence, pushing aside the voice from the foyer.

‘I am ready when you are. Chin up and adjust your tie,’ she says. 

She is looking at him the way his mother would, with knowing in her hooded eyes and empathy etched across her brow. 

‘In a moment,’ he responds.

He shakes his head vigorously, shrugs his shoulders to straighten his back and breaks into a smile, his own eyes diamond-bright, amid their tears.

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